Jon Favreau’s Chef is a comedy film with great music and mouthwatering food that makes you wish you had immediate access to all the bites featured.
More than a feast for your stomach and then some, it’s a beautifully told story about family – particularly the relationship between a busy father and his ten year-old son.
The film also speaks to the sensibilities of those stuck in a career path that no longer supports their need for creative freedom and / or desire to serve their passions in a way that makes them happy.
There are one or two more themes that emerge from the narrative thread. I’ll let you discover those beautiful gems for yourself. Maybe they’ll speak to you more than the ones that stood out for me. Either way you’re likely to be hooked as soon as the film starts.
From the beautifully paced editing, perfect choice of music, to the narrative concept, dialogue and visuals / special effects; the Snow White And The Huntsman (2012) trailer provides just enough detail to make you aware that this is a wonderfully different retelling.
The decision to make Charlize Theron the key focus of the trailer is genius. This isn’t a film aimed at the traditional young Disney audience. Hence the absence of elements that quite frankly I’m glad are no where to be found. Musical numbers being just one of them.
This tantalisingly dark 1 minute 54 second trailer arrests the senses and refuses to let go until the very last second. What a wonderful marriage of audio visual delight delivered to perfection.
For many, Kristen Stuart is the big draw which is unsurprising due to the success of The Twilight Saga. For me though, without question it’s Charlize Theron.
The tone and delivery of Theron’s performance is such a thrill to behold, that to date I’ve watched the trailer a countless number of times.
The Snow White & The Huntsman trailer has a place in a compilation of my favourite film trailers of 2012. It also makes it on my list of favourite Charlize Theron performances; Monster (2003) being one of them.
Angelina Jolie’s portrayal of Maleficent has been criticised for not being evil enough. I think people of this opinion have missed the point of the film entirely.
Not to say that the film is perfect, because the pace did leave me wanting. But it’s clear to me that, for audiences to buy into the story, Angelina definitely couldn’t look for inspiration for her character from the likes of pre-existing Queens of pure evil. A perfect example being ‘Queen Revenna’ of SnowWhite And The Huntsman (2012) – wonderfully played by Charlize Theron.
No, no, no. Angelina would have to study characters far more complex. I imagine she did because Maleficent is absolutely unlike the traditional evil queen, and that doesn’t make for a lesser film, just a different one.
Besides my issues with the pace of the film, there is one aspect of the story that I found particularly hard to accept…
…now, I may be overthinking things since I’m not the film’s key demographic. But nevertheless… with Maleficent being not just a fairy with powers, but ’the strongest of the fairies’, I expected that she would have the means to regenerate her wings. And if she couldn’t do this, I imagined she would at least use her magic to locate the wings – once she’d used the same special powers to learn that her wings had not been completely destroyed. Am I alone in this?
I certainly have no regrets at all about watching the film. The difference was refreshing. Plus, I LOVE Angelina Jolie! She could almost lead me anywhere. Probably.
Roger Moore was my favourite James Bond for a very long time, mainly because he’s the star of the first Bond film I ever watched. However, absolutely everything changed when my dear Mr Craig, Daniel Craig, came along.
I didn’t care that at the time, most believed him to be the wrong choice. I was too busy being excited that radical change was finally coming. Especially since like many other fans, I had fallen out of love with what the Franchise had become prior to Casino Royale.
Since Casino Royale is the very first James Bond book, one could surmise that finally, audiences would get an insight into what it was that really made Bond tick. The film certainly delivers in this regard and in several others including all the elements that makes for a great film. I.e. brilliant dialogue, to name just one.
The unapologetic brute force of Craig’s Bond is a huge part of what makes Casino Royale such a memorable comeback for the franchise, and part of the reason why the film is my favourite Bond to date.
I will not drop any spoilers for those yet to watch the film but I will say this: the first 20 minutes is brilliant, and you’ll be glad to learn that the rest of the movie continues as such.
Have you seen it? If You know it’s the best don’t you?
Stars: Liam Neeson, Maggie Grace and Famke Janssen.
For quite some time now, my youngest brother, (knowing how much I love movies), had recommended several times that I should watch Pierre Morel and Luc Besson’s Taken.
Unfortunately for a while, I kept disappointing him each time he checked to see whether I’d finally seen it. I couldn’t give him a definite viewing date, but I knew for sure that he should tell me absolutely nothing about the movie, except the name of it’s star, Liam Neeson. My reason for the peculiar request is simply that I wanted to be surprised… and surprised I most certainly was – in the best way.
Taken is a great movie, the kind that will have you so very engrossed as the story unfolds – and at a pace that leaves nothing more to be desired. I honestly could not recommend this movie more. If you’ve already seen it, then you know precisely what I’m talking about. But in the event that you’re yet to experience the movie, I suggest choosing to know as little as possible prior to pressing the play button. Trust me when I say that doing this will only enhance your experience of the film.
I’m most intrigued to find out if there are any people out there who didn’t enjoy the Taken. I’m curious to know why. Until then…
I learnt today that two close friends of mine do not find Seth Rogen and Evan Goldberg’s This Is The End (2013) funny. WHAT?! I know. After coming to terms with their revelation, I made an effort to understand by running through the possible explanations:
They hadn’t watched or enjoyed Pineapple Express (2008), Superbad (2007) Knocked Up (2007) or other great comedies by Rogen and Goldberg.
They must not have been in the right frame of mind to properly appreciate the greatness. I believe that you have to be ‘in the mood’ for certain kinds of films (comedy, drama, action, etcetera) to get the best out of them.
They were too tired to pay due attention.
Apparently none of the above explanations were correct, so I was left with the only possible answer. It’s clear. Something is very wrong with both of them. As such, trying to make sense of the situation would be a royal waste of time. And… I might need new friends.
What do you think? Did you find This Is The End funny? I’d like to think that there’s nothing wrong with you… 🙂