Directed by Thomas Vinterberg, Kursk is a historical drama about the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed.
Colin Firth, Matthias Schoenaerts and Léa Seydoux star…
The trailer makes me eager to watch Kursk because of Schoenaerts, Firth and Seydoux. I’m only slightly hesitant because I feel as though it’s going to make me mad. You know, on account of all the reasons the ending won’t be as happy.
Michael Nyqvist, August Diehl, Steven Waddington, Zlatko Buric, Matthias Schweighöfer and Joel Basman also star.
This isprobably unsurprising since Kingsman – The Golden Circleis a sequel but I did not enjoy this movie as much as the original. In director Matthew Vaughn’s sequel, the Kingsman head offices are blown up and the kingsmen must team up with an allied spy organisation in the US.
Not that Kingsman – The Secret Service (2014)was super realistic, but something about this follow-up felt quite ridiculous. Starting with the opening scene; somehow it just didn’t feel as thrilling as I’d ordinarily expect. Part of the problem is that I found myself immediately disappointed with the story’s choice of villain, the one we meet in the first few minutes. There’s also the fact that everything happened so suddenly in the first few minutes, whereas I somehow wanted or perhaps expected to be eased into the action, as odd as that may sound.
This movie has one or two fight sequences that harked back to the first film. These scenes played a little too ‘the same’, for my liking. In this way they reminded me of part of the reason why Quantum Of Solace (2008) was such a terrible follow-up to the brilliant Casino Royale (2006). It tried too hard to almost repeat so much of what worked so very well in the first movie.
As for the matter of the main villain of vaughn’s movie, let’s just say that I have officially found a Julianne Moore performance I do not like. In the role of the villain, I did not fully buy into her evil. Is her face simply far too angelic for the kind of evil required? Maybe. What I know for sure is that I didn’t see it in her eyes or feel it through her words and I needed to.
Luckily, there is some good news here; namely the beautifully executed ‘singing scene’ towards the end. I was moved. Overall though, my favourite scene in this film has to be the ‘infiltration’ of Poppy’s compound. That’s the moment I saw a fight scene that truly felt as though it belonged to Kingsman – The Golden Circle. Rather than something borrowed from Kingsman – The Secret Service and as a result, felt quite tedious.
The Mercy is the story of Yachtsman Donald Crowhurst, whose disastrous attempt to win the 1968 Golden Globe Race ends up with him creating an outrageous account of traveling the world alone by sea…
I’ll be watching to learn more about the kind of ‘madness’ that drives one to leave their wife and young children behind, to go a on a dangerous solo adventure with a 50/ 50 chance of survival. Particularly an adventure that doesn’t appear to be of benefit to the family left behind.
I of course also want to know about how far Crowhurst took the lies he started telling about his progress.
In Kingsman – The Golden Circle, the Kingsman headquarters are destroyed and the world is held hostage. Upon discovering an allied spy organization in the US. The two elite secret organisations must work together to defeat a common enemy…
Before the First Kingsman movie, Kingsman – The Secret Service, I mostly knew the film’s director Matthew Vaughn as an excellent producer to one of my favourite British directors, Guy Ritchie.Look at him now! I can’t wait to see what looks yet another very welcome and thrilling festival of style, action and adventure.
I don’t actually recall how things were left with Sofia Boutella’s very cool ‘Gazelle’ character in the first movie, but my hope is that this new instalment will be so good that I barely miss her, if at all.
I loved the first two Bridget Jones movies; Bridget Jone’s Diary (2001) and Bridget Jones – The Edge Of Reason (2004). I personally found them refreshing as film experiences. Rene Zellweger’s British accent was impressive and I absolutely adored watching Hugh Grant in a role where he wasn’t playing, for want of a better phrase, ‘a lovable dithering idiot’ – the kind of role he’d played in Four Weddings & A Funeral (1994), Notting Hill (1999) and Mickey blue Eyes (1999). Grant’s role for the first two Bridget Jones movies can be described as a well dressed publishing bad boy named Daniel Cleaver.
The first bit of bad news for me about Bridget Jone’s Baby is that Hugh Grant isn’t in it. I kind of missed his character’s humour but I do understand the need for difference with the third instalment.
The second bit of bad news is that I don’t consider Bridget Jone’s Baby as a good movie. Reason being, it’s odd, awkward and overfilled with dated and obvious music. I particularly dislike the first 40 or so minutes whereeverything just doesn’t flow well. One of the lowest points for me is the following line and its cringily awkward delivery…
‘Oh God! I’ve just slept with a complete stranger! I’m nothing but a feckless prostitute!’
– Terrible, terrible, TERRIBLE! This is the point at which it dawned on me that all the Bridget Jones character traits that were once charming, humorous and certainly better written have now morphed into the opposite of all of that and become straight annoying.
There were one or two lines I loved and both happened to be delivered by the ever wonderful Emma Thompson, an actress whose comic timing is sharp as can be. I also enjoyed Patrick Dempsey’s role and welcomed his character’s newness. Overall though, I found myself less than invested in the film’s central love story; something I blame on the writing and that particular aspect of the film feeling ‘so very 12 – 14 years ago (when the first two movies were released)’.
I say watch this movie if you absolutely must. Just know that the first two are a hell of a lot more fun.
In Genius, the new movie directed by Michael Grandage, Colin Firth is Max Perkins, the book Editor who oversaw the work of some of America’s best known writers. Namely, F. Scott Fitzgerald, Thomas Wolfe and Ernest Hemingway…
Genius looks like the kind of movie that’ll be most interesting to writers and fans of the key actors involved. I’m just not sure that this particular cut of the trailer has me that eager to see the film. Only if the inauthenticity of Jude Law’s accent wasn’t so obvious, maybe…
Nicole Kidman, Vanessa Kirby, Dominic West, Laura Linney and Guy Pearce also star.
Set in London, England, Love Actually is a romantic comedy written and directed by Richard Curtis, the man responsible for hit films such as Notting Hill (1999), Bridget Jone’s Diary (2001) and most recently, About Time (2013).
Focused on the love lives of several couples in the month leading up to Christmas, Curtis’s cast represent an excellent selection of some of the UK’s best acting talent. It is a cast that includes – to name just a few, Bill Nighy, Andrew Lincoln, Keira Knightley, Emma Thompson, Chiwetel Ejiofor and Liam Neeson.
In Love Actually, what Curtis has delivered is a very sweet and funny movie. Along with the classically British humour and eccentricities, there’s a healthy sprinkling of romance, drama and family – just the perfect balance for the holiday season.
On the other hand, there are one or two situations / relationships that I didn’t find particularly believable. Not to say that they would never happen, but they certainly felt like a stretch. Still, it is after all the holiday season so perhaps magic is supposed to happen?
My inability to believe in love aside… 🙂 Love Actually is a well paced holiday movie with all the right sentiments. I know christmas is not quite here yet but I watched it anyway, for the love and humour.
My favourite of the all the couples would have to be Billy and Joe in the recording studio, Sarah and Karl at the office and Judy and Jack… who doesn’t like Judy and Jack?