Directed by Jill Culton and Todd Wilderman, Abominable is a new animated adventure starring Chloe Bennet, Sarah Paulson and Albert Tsai.
After teenager Yi encounters a young Yeti on the roof of her apartment building in Shanghai, she and her mischievous friends embark on an epic quest to get him to his natural home. Not an easy task when a wealthy man and a zoologist want the exact opposite…
I’m getting King Kong and ever so slightly, The Never Ending Story (1984) vibes from this trailer. What I like most about this it, besides the idea of a yet with magical capabilities is the violin music that starts at 0:20.
Fingers crossed there’ll be plenty more to love upon release.
Knowing my history with Netflix movies and how I’ve found the vast majority to be quite disappointing, I wasn’t sure how I’d feel after Bird Box. The good news is, I actually enjoyed director Susan Bier’s post apocalyptic sci-fi thriller more than I expected to.
Intrigued by the story of a how a woman and two children were going to escape the mysterious force that compels all who see it to kill themselves right away, I couldn’t wait to see how the characters would survive, especially since they have to be blindfolded when outside.
As soon as the opening scene in Bird Box started to play, I had a good feeling because of how the scene immediately held my undivided attention. Leading up to the final thirty minutes of the movie there were other very engaging, ‘edge of your seat suspenseful’ moments. However, the best stretch of time and my favourite part of Bird Box is without a doubt the last thirty minutes. It is the scenes when the key characters are truly most vulnerable and there are endless near disasters happening one after the other.
Similar to 2017’s A Quiet Place, Bird Box will likely ave you thinking about parenthood and the gargantuan undertaking that it truly is. I enjoyed leading actor Sandra Bullocks performance, plus the moments in the story that moved, thrilled and surprised me, especially the last thirty minutes.
As for the parts of Bird Box I wish weren’t quite so, those would include approximately thirty minutes into the film when, instead of being fully engaged, I found myself distracted by the fact that I hadn’t seen the ‘monster’ yet and I really wanted to. Secondly, I think there were too many characters ‘in the house;’ one or two of whom proved quite annoying and a number of whom resembled props who were just there to play their relatively small parts just to move the story along and sometimes provide a fast thrilling moment.
Thirdly, I understand the reason for the ‘flashback and back to present day’ editing choice. However, it had a little bit of a negative effect on the flow of the story and subsequently had me wondering how different it could all have been if everything had played out in regular order.
Overall I say give Bird Box a chance because it has some great moments and for me personally, it’s definitely an improvement on the last few Netflix movies I saw or tried to see.
In new sci-fi / thriller Bird Box, after a mysterious force decimates the world’s population, only one thing is certain: if you see it, you take your life. And so begins the journey of a woman and two children who make their way through a dystopian setting along a river whilst blindfolded.
Directed by Susanne Bier; key cast includes Sandra Bullock, Sarah Paulson, Rosa Salazar, Trevante Rhodes…
Hello great trailer! I like the way this reminds me a little of A Quiet Place (2017). May it be equally thrilling if not more.
I also rather like the combination of Bullock and Paulson in one movie.
Lil Rel howery, Jacki Weaver, Machine Gun Kelly, Parminder Nagra, John Malkovich and David Dastmalchian also star.
Directed by Steven Spielberg and inspired by true events, The Post tells the story of the cover-up that spanned four U.S. Presidents and pushed the country’s first female newspaper publisher (Meryl Streep) and a hard-driving editor (Tom Hanks) to begin a journalistic battle against the government…
I didn’t realise I missed Meryl Streep so much until I saw her turn around in this trailer. I’m of course going to be watching because of her and Hanks. It’s also going to be an experience to watch all the sexist nonsense that will be directed at her character, Kay Graham.
Sarah Paulson, Carrie Coon, Bradley Whitford, Bob Odenkirk, Matthew Rhys, Zach Woods and David Cross also star.
Set in 1950s New York, Carolis a story of the romantic love between an aspiring photographer and an older woman.
Directed by Todd Haynes and starring Cate Blanchett (‘Queen Blanchett’, in my heart) and Rooney Mara, I enjoyed the film most for the beautiful musical score, the make-up, costume and the general look and feel of New York in the 50s.
Carol has some well-executed tense moments, especially considering the forbidden and often unspoken nature of the love between Blanchett and Mara’s characters. I did also find myself feeling a little detached from the story; something I blame on the film taking too long to reveal the true cause / nature of the tensions between Carol and her husband. I did eventually become less detached, particularly as the feminist theme became more and more apparent – by which point I felt terribly sorry for Carol and Therese, given their circumstances and society at the time.
Watch Carol for the story, because it’s beautiful and you never know, you may be inspired to try harder with your personal style after looking at the costumes in this movie. I was certainly inspired. That is until the next morning when I awoke and took a close look at my to-do list and priorities.
Knowing that Nicolas Cage’s career hasn’t exactly seen anything close to the heights of his Face/Off (1997) days, I was hoping that The Runner, directed by Austin Stark would be one step in the right direction.
Having now seen the film, theres plenty worse out there, of course but The Runner just isn’t a movie I would think to recommend. On the positive side, it does move quite quickly and it doesn’t run on too long. The story also highlights the unavoidable fallibility of the human and reminds us that hypocrisy is innate in everyone. As with most things of course, there’s a spectrum.
Connie Nielsen, Peter Fonda and Wendell Pierce also star.
Happy Film Loving. It’s just unlikely that you’ll love this one. 🙂