Jessica Chastain, Andrew Garfield and Vincent D’Onofrio are the stars of new drama/biography The Eyes of Tammy Faye.
From director Michael Showalter; what’s on offer is an intimate look at the true story of the extraordinary rise, fall and redemption of televangelist Tammy Faye Bakker.
Tammy Faye and Jim Bakker’s story isn’t one I’m familiar with. And so I look forward to learning about it all thanks to what appears to be excellent performances, and hopefully a well-executed story.
Anyone else notice how super adorable Chastain’s character is, especially at the start of this trailer?
Sam Jaeger, Cherry Jones, Fredric Lehne, Louis Cancelmi, Joe Ando-Hirsh, Randy Havens, Gabriel Olds, Kevin J. O’Connor, Coley Campany, Kimberly Hester Huffstetler, Chandler Head and Meredith Jackson also star.
Also starring Alan Arkin, Lisa Edelstein and Sarah Baker, I watched the first season of The Kominsky Method almost two years ago and I remember thoroughly enjoying it. Season two turned out even better than the first, thanks to Lorre’s expert writing.
Douglas and Arkin are brilliant in their roles. The chemistry between the two actors and their excellent comic timing firmly places The Kominsky Method in the top five of my favourite things that Netflix has ever released. One might say it’s the side of me that’s a sucker for stories of beautiful friendships, but that’s only part of the reason I love the show.
Watching The Kominsky Method, especially the first two seasons, is a moving experience. One that’s highly likely toresult in satisfying laughter as it reminds you of what great writing can look like.
Up to this point, I haven’t said too much about season three, the last instalment of The Kominsky Method. And that’s because even though it features several memorable scenes and bits of dialogue, I can’t deny that at least two things make it less impressive to me than the first two seasons. The absence of Arkin means there’s no Douglas/Arkin chemistry to enjoy. The second disappointment for me is how rushed it felt. And I don’t just mean because it’s six episodes instead of the usual eight.
If you haven’t already watched the show, definitely give seasons one and two of The Kominsky Method a chance. Like me, you may enjoy it so much much that you’ll feel compelled to see how it all ends.
In the Heights is a musical film I’m happy I watched, and that’s not something I say very often. Especially since what usually happens with me musicals is, I get annoyed with all the singing, how annoyingly simplistic the lyrics are and I have to stop.
Luckily, this time director Jon M. Chu and Lin Manuel Miranda, the man in charge of creating the film’s music delivered a movie that has more good/great songs than not.
Impressive and energetic dance choreography, an engaging story and all the colourful summer costumes helped to keep me watching. In other words, ‘A sweet, moving, and joyous two-and-a-half hours’ is how I see In the Heights.
The experience of the movie is, I imagine, more heightened for Latin American audiences, since it’s focused on their multi-generational stories of life in the United States – specifically Washington Heights, New York. Still, all you need to appreciate Chu and Miranda’s movie is to be open to a good musical film; one that you’re very likely to enjoy. You may even catch yourself singing ‘In the heights…! Because the title song is catchy in a non-regrettable way.
Directed by Edgar Wright of Baby Driver (2017); Last Night in Soho is a new drama/horror/mystery that stars Anya Taylor-Joy, Thomasin McKenzie and Jessie Mei Li. It’s the story of a young girl (McKenzie), passionate about fashion design, who finds herself mysteriously able to enter the 1960s.
While there, she encounters her idol, a dazzling wannabe singer (Taylor-Joy). Only 1960s London isn’t quite what it seems.
The part-horror categorisation makes me nervous but I remain curious. Who knew that Taylor-Joy had such a beautiful singing voice? No t me.
Here’s to hoping that there are more pleasant surprises to look forward to.
Diana Rigg, Matt Smith, Rita Tushingham, Terence Stamp, Margaret Nolan, Lisa McGrillis, James Phelps, Synnove Karlsen, Oliver Phelps, Katrina Vasilieva, Michael Jibson and Kassius Nelson also star.
I’d call this the ‘final’ Respect trailer, but that would be silly. There’s at least 2 more to go, probably. I’m not necessarily complaining because I do like this edit.
Starring Jennifer Hudson, Tate Donovan, Mary J. Blige, Marc Maron, Forest Whitaker and Marlon Wayans; Respect, the life story of Aretha Franklin is directed by Liesl Tommy.
I’m excited to watch the young Franklin grow up to find her voice, and see the kindness of the people who helped her along the way. I also can’t wait to expereinec the way Franklin’s most iconic song, Respect came to life. Especially after having seen how beautifully the inception of Elton John’s ‘Your Song‘ is captured in Rocketman (2019).
Bring on the music and great performances, because I’m ready for my appreciation for Franklin, Hudson and everyone else involved to grow.
Lodric D. Collins, Joshua Mikel, Marc Maron, Jamaal Burcher, Tituss Burgess, Victoria Paige Watkins and Saycon Sengbloh also star.
Matt Damon’s latest crime/thriller Stillwater has him as a skilled oil-rig labourer who gets on a plane to Marseille, France, after reciving a call from his daughter. An estranged daughter (Abigail Breslin) who’s in prison for a murder she claims she didn’t commit.
Directed by Tom McCarthy; additional key cast includes Camille Cottin, Deanna Dunagan and Ginifer Ree.
Based ob this trailer, I wasn’t sure about my level of interest in this movie at first. But then I remembered that it’s Damon,. Also, it’s from teh director behind the Oscar winning Spotlight (2015).
There’s also the fact that this trailer reminded me a lot of the real life story of a certain Miss A. Knox; not that I followed that particularly closely. I’m in to see the direction this story takes. Especially since I suspect we may find ourselves quite surprised; at least I hope.
Robert Peters, April Warren, Lena Harmon, Moussa Maaskri, Justin France, Ryan Music, Eric Starkey, Gary Sievers, Thomas Rivas and Leesa Neidel also star.
The Goldfinchis a movie for which I had high hopes post trailer viewing. The primary reason is the reliable cast and intriguing themes.
Starring Ansel Elgort, Luke Wilson, Nicole Kidman, Finn Wolfhard and Sarah Paulson; director John Crowley’s film is based on a Pulitzer Prize-winning novel by Donna Tartt. A story that follows Theodore Decker, a young boy who loses his mother in a bombing at the Metropolitan Museum of Art. An event that leads to him being taken in by a wealthy Upper East Side, New York family. And from there we get to see the highs and lows of young Theodore’s life as he grows up.
‘Not particularly’ is unfortunately the answer to the question of whether I enjoyed watching The Goldfinch. The only sort of good news is thatI didn’t hate the performances. Yet, I can’t deny that the movie left me disappointed.
Part of the problem is the two-and-a-half hour-long runtime which felt excessive. Second, young Oakes Fegley is a talented performer. However, it proved distracting to me, how little he resembled Ansel Elgort, especially since he’s supposed to play the younger version of Elgort’s character.
The Goldfinch isn’t focused on grief the way I expected. Yet, I’m not mad at that. My issue is more that whatever the film had to say, it could have been better-executed story edit/structure-wise. The lack of satisfaction and the emptiness I felt during much of, and by the end of the movie took me back to that feeling of leaving a dinner party you’d been looking forward to with a largely empty stomach.
Okay, there were one or two highlights, Young Decker’s relationship with Jeffrey Wright’s character and the tiny little crush I may have had on Aneurin Barnard’s character. Overall, I’m sure it’s unsurprising that I’m having trouble thinking of reasons to suggest you give The Goldfinch a chance. However, Tartt’s book is a Pulitzer Prize winner. So maybe read it if you haven’t already.