
It was clear post-trailer viewing that Adolescence, the latest crime/drama from Ashley Walters and Stephen Graham, would be very moving. I did not realise just how powerful and affecting it would be.
Written, structured and filmed smartly and engagingly, the four-episode story centres on a 13-year-old teenager accused of murdering his schoolmate and some of the key individuals impacted by his alleged actions.
As you can imagine – thanks to the talented performers, I cried, especially at the end. My hand may have even reached out at the screen at the very end, for reasons that will be clear once you watch the series.
If it was not already widely known that parenting is never easy, this story is quite a reminder. Adolescence, the phase in development, is also challenging for several reasons, particularly in modern times.
This one is emotional but interesting and worthy. So, if you’re curious enough, watch Adolescence. It’s very British and arguably ‘too real’, which is a high compliment for the filmmakers involved.
Adolescence is co-written by Stephen Graham and Jack Thorne, while Philip Barantini directs.
Happy Film Loving,
G
It’s very special and incredibly moving.
Truth!
This was not on my radar at all. I only know the dad actor from his first role and I’ve seen the female detective as well.
Anyway a coworker from UK office recommended me this one on Friday and I decided to give it a shot. I watched it over the weekend. Very interesting insight into the UK police system (everyone is very polite, respectful and professional). I’m sure it’s not always like that when minors are not involved. It’s a tough watch because they keep you the viewer in the dark most of the time. Even at the end the full story is never revealed, just bits and pieces so we can put things together on our own based on life experiences. It’s quite clinical in its approach, not passing judgement. Perhaps a bit through individual character’s reactions. It’s quite an eye opener depending on how involved one is with the kids today. They live in a very complex world with access to resources they are not yet fit to process or handle.
Apart from all that what also impressed and little distracted me is the technical aspect I’m compelled to research. Each episode is presented as a single 1h shot. I looked for obvious transitions in the steadycam and sometimes a drone, but couldn’t find. All that makes it feel almost like a documentary. Very well done.
Your instincts about the police force when minors aren’t involved is absolutely right. Though, not that I’d know first hand, thankfully.
We can only imagine what it’s like to grow up in these times. It seems the best bet the children have, in addition to parents/guardians that are available, is having a good relationship with them. One where children feel comfortable enough to talk to them about anything.
I agree, the filmmakers absolutely get full marks for how real/documentary-like the show feels. I’m, excited to see what they all make next.
There’s so many layers here that the series stays with you if you want it or not. My wife was not as impressed as I but then she saw on YT a child psychologist dissecting it and came back saying “Ok, there’s more there than I initially thought”.
I also discovered the one take was a real, very well rehearsed and planned achievement in choreography and technical mastery in camerawork and acting!!!!!
The show is a notable example of good writing and filmmaking, indeed. Well-researched, rooted in reality and creatively executed.
I remember seeing the trailer, now, I want to see it more, thanks for your review G!
You’re super welcome, Tiffany! Enjoy it, the show and the conversations it will inspire.
I haven’t watched this yet but I will, it looks incredibly intense.
It’s gripping, indeed. I hope you enjoy it, as weird as that suddenly sounds, considering the subject matter.
Adolescence is so hard, even more so now. Looking forward to watching and empathizing. Great writeup.
It’s pretty special. Enjoy, and thank you. 🤓🥂