Directed by John Hamburg; new comedy Me Time stars Kevin Hart as a dad who reluctantly decides to spend his me-time reconnecting with an old friend. What results is a very different kind of weekend.
It’s not often enough that a movie trailer makes me laugh out loud. I’m happy to say that this one got me at least twice.
Also, Hart and Wahlberg? I definitely didn’t see this partnership comin but I’m in no way mad about it. Fingers crossed that it pays off close to as well as the Wahlberg/ Will Ferrell, or the Hart /Dwayne Johnson duos. Wouldn’t that be great?
Jimmy O. Yang, Carlo Rota, Melanie Minichino, Tahj Mowry, Luis Gerardo Méndez, Deborah S. Craig, Ilia Isorelýs Paulino, Chau Long, Thomas Ochoa, Kieran Roberts and Bottara Angele also star.
How wonderful it is when the first line of dialogue in a movie puts a smile on your face, while suggesting that its tone is the kind you’ll be glad you experienced.
New comedy/drama Official Competition, which stars Penélope Cruz, Antonio Banderas and Oscar Martínez is one such film, thanks to its delightful absurdity and amusing ridiculousness.
Directed by Mariano Cohn and Gastón Duprat, the fun starts just before wealthy businessman Humberto Suárez decides to hire a famous movie director to shoot a smash hit film. And why not? After all, what else is there, following one’s high-profile business success and noteworthy philanthropy?
You probably already agree that a super-inflated ego in action is one of the most amusing things to witness. And this tends to be true whether you are laughing aloud or stifling laughter for fear of repercussions.
Official Competition, a comedy about filmmaking gives you permission to laugh at the art of making movies. Especially the peculiarities of the processes, plus the creative and the less creative individuals involved.
The few slightly slower moments aside, I had a good time watching Cohn and Duprat’s film. The highly skilled cast is a delight to watch. I especially enjoyed everything José Luis Gómez, who plays wealthy businessman Humberto Suárez does on screen. So much so that I selfishly wish that he appeared in the movie more frequently.
Watch Official Competition if you’re curious, and certainly for the fun, well-written movie-making ridiculousness.
Now, please excuse me while I go and rewatch the opening scene, my favourite!
A Sexplanation, a comedy/documentary intent on righting all the wrongs of 36-year-old director Alex Liu’s all-American and certainly inadequate sex education is the kind of watchable 76 minutes I’d expected.
Since, unsurprisingly, my adolescent sex education also lacked some important details, especially by today’s standards, the film’s promise to uncover the much-needed hard facts and naked truths with some comedic flair had me simultaneously informed and entertained.
I enjoyed watching Liu’s journey as he sought guidance from the experts, asked his parents a bunch of highly awkward questions and shared his sex education experiences with some of his closest friends.
More than the largely welcome puns and other amusing moments, it was great to see how finally getting the key information that a now 36-year-old Liu really needed much sooner, gave him a sense of peace.
Besides the humour and the more detailed sex education lesson, there are two more memorable highlights in ASexplanation. The first is the charming dynamic between Liu’s parents. And second is what happens as soon as the sex education experts and researchers are called upon to actually define sex.
I say watch A Sexplanation if you’re curious. Do it for a thoughtful and often amusing sex education lesson; thanks to one man’s review of the sex education experience of his youth. Particularly how life-changing it would have been to have received a more comprehensive approach much sooner.
Directed by Aaron Nee and Adam Nee; The Lost City follows Sandra Bullock as reclusive romance novelist Loretta Sage.
While on a book tour with her cover model (Channing Tatum), they both get swept up in a kidnapping attempt that results in a cutthroat jungle adventure. One that has an additional key cast that includes Daniel Radcliffe, Brad Pitt, Oscar Nuñez and Da’Vine Joy Randolph.
How fun does this look? And what a perfect entrance for Pitt’s character. I haven’t been this happy to see one of my favourites since Keanu Reeves showed up in the Always be my Maybe (2019) trailer.
I’m in for all the fun, the promise of amusement and the chemistry between this rather pleasant surprise of an ensemble.
Patti Harrison, Raymond Lee, Héctor Aníbal, Thomas Forbes-Johnson and Danny Radhames Vasquez Castillo also star.
I’m disappointed to say that ‘quite forgettable’ is the most fitting phrase for how I feel about Gal Gadot, Dwayne Johnson and Ryan Reynolds’s latest action/crime/comedy, Red Notice.
Directed by Rawson Marshall Thurber, I had a telling ‘bad feeling’ within the first few minutes of the movie starting. The kind of feeling that let me know that Red Notice won’t be as fun and engaging as I’d hoped.
I was soon proven right when the question ‘Why am I bored?’ crossed my mind during the scenes before the forty-minute mark. The answer is, the lacking script/story edit, a Johnson/Reynolds dynamic that didn’t work for me right away, a performance by Gadot that fell surprisingly flat, and the fact that very little if anything about Red Notice played as adequately new and exciting.
I was finally fully engaged and glued to the action taking place at around the fortieth minute. I wish I could say it was all good from that point on, but even though there were some clever/fun moments, overall, what Thurber’s film did most well for me is not what I expected.
In addition to doing well at setting up a sequel that might be more fun, Red Notice brought to mind Daniel Craig’s best Bond films. No doubt because Craig’s films excelled in areas that Red Notice did not. Especially where great pacing, highly engaging dialogue, well-drawn characters and exciting action sequences are concerned.
I needed Red Notice to be better. But I wouldn’t call it completely unwatchable. Give it a chance if you’re particularly curious.
As some of you may remember, comedy/drama Ted Lasso – season one; the story of a US American Football coach, who arrives in the UK to manage a struggling English Premier League soccer team is, without a doubt, one of the best things that happened to me in 2020.
Fast forward to now, when season two has both started and finished; let’s put it this way, I’ll make time for season three in 2022; however, I’ll be sure to calm myself right down should I find myself getting too excited about the third instalment.
Yes, season two of Jason Sudeikis and Hannah Waddingham’s Emmy Award-winning series did at times move me to laughter and tears. The problem is that it also made me cringe because some of what I adored about season one, such as the positive attitude and heartwarming kindness, in parts of season two, it’s written in a way that often felt forced. The most irritating example of this, for me, is the Christmas episode.
Another way that season two disappointed me is how it handled delving more into the lives of the less central characters. Rather than finding myself engrossed in some of these secondary stories, I was annoyed that I wasn’t learning more about Lasso himself. Additionally, during these departures from the main focus, when Lasso did feature, the writing leant into his eccentricities in a fashion that, for me, cheapened his character.
As creative and somewhat well-edited as the episode that focuses on coach Beard is, thematically, it just felt out of place with the rest of the season. Then there’s the fact that I did not believe the direction of Beard’s love story with the mysterious Jane.
Speaking of not believing, where Nate’s all-important character journey is concerned, I sadly neither liked nor did I buy it.
All in all, I’m sad to say that season two of Ted Lasso annoyed me more than it pleased me. Even though I was glad to learn more about Lasso’s history and struggles, the season is more reminiscent of the short-lived Sex and the City movie franchise than I’d hoped. Meaning, I loved the first movie, but my goodness was it abundantly clear that the second film was hugely rushed, resulting in a less than pleasing result.
There are actually no specific episodes that stand out as my favourite in season two. But almost all episodes of season one do. Luckily, I do have a favourite season two moment, and that is how Jamie Tartt’s all-important walk on to the pitch is captured and presented.
What do you think of Season two of Ted Lasso? Have I been too harsh? Let me know in the comments below.
As a fan of the 1999 comedy/romance, She’s All That, I decided to watch director Mark Waters’s/Netflix 2021 remake He’s All That.
Starring Addison Rae, Tanner Buchanan, Rachael Leigh Cook, Peyton Meyer and Matthew Lillard, He’s All That is a movie about cool high schoolers and their bet to give an ‘uncool’ fellow pupil the ultimate makeover.
I knew that the chances of finding myself impressed by the end of the movie weren’t great. Yet, I tuned in anyway because the first film was fun, and I was curious about TikTok star Addison Rae’s acting skills.
The 1999 movie wasn’t perfect, but it’s arguably better. I say this because there were cringe-worthy moments, thanks to some questionable acting, plus cheesy and highly cliché dialogue.
As for the things I did like, I enjoyed all the colour, Matthew Lillard’s stage moves at the very end; probably the most, if not the only engaging and exciting dancing in the entire film, sadly. All the other moves and music in the redo of the classic dance battle scene from the first film just weren’t as exciting.
All in all, He’s All That is something you watch, only if you absolutely must. And I do mean ABSOLUTELY MUST.
From writer/director Domee Shi (Bao 2018); starring Sandra Oh and Rosalie Chiang, Turning Red is Disney Pixar’s latest animation/adventure/comedy. The story of a thirteen year-old girl. Specifically what happens whenever she…
Isn’t this a pleasant surprise of a trailer? The super cuteness; the sound of Sandra Oh’s distinctive voice, then even more cuteness and a thoroughly intriguing premise.
Bring on the colour-rich fun that’s coming our way! I’m ready!