Category Archives: No Spoiler Reviews

SINNERS (2025): The Things I Liked…

Sinners (2025), Michael B. Jordan, Warner Bros. Pictures
Sinners (2025), Michael B. Jordan, Warner Bros. Pictures

It’s only May, but Sinners, the Ryan Coogler-directed drama/horror/thriller, the one that’s been performing brilliantly at the box office, is my favourite movie of 2025. 

There’s a chance it won’t stay my favourite come  December. Nevertheless, you may be impressed to learn that I, your friendly, usually horror-avoidant film fanatic, sat through the entire movie, after which I had almost only good things to say about the experience.

The cinema was packed, and yes, I may have been the only person who screamed on at least four specific occasions, but, instead of nightmares, the things that have stayed with me post-viewing are: 

Sinners (2025), Hailee Steinfeld, Warner Bros. Pictures
Sinners (2025), Hailee Steinfeld, Warner Bros. Pictures
  • How visually and thematically beautiful Coogler’s film is.
  • How worthwhile, super-well executed, memorable and rousing the two main musical moments are.
  • Perhaps, most importantly, in addition to being an entertaining and well-written drama/horror/thriller, Sinners cleverly reflects back to many black Americans, in particular, both ancestrally and otherwise, so much of their experience. It does this so well that I imagine it’s impossible not to feel seen.
  • Lastly, I must experience Sinners again on the big screen before it’s gone. This particular thought keeps replaying.

The entire Sinners cast performed well. However, standouts for me include Michael B. Jordan, of course. I love how easy he made it for viewers to distinguish between the twins without heavy reliance on costume or props. There’s also Jack O’Connell, an actor I’ve been rooting for ever since I saw his brilliant work in Starred Up (2023).

Watch Sinners if you’re curious and have the temperament. I may have been impatient for things to get going at the start, but I have zero regrets about screaming my way through my first horror film since Midsommar (2019).

Watch it and delight, probably.

Happy Film Loving, 

G

G20 (2025): The Things I Liked…

G20 (2025), Viola Davis, Prime Video
G20 (2025), Viola Davis, Prime Video

G20, the latest action/thriller starring Viola Davis, Ramón Rodríguez, Antony Starr and Anthony Anderson, is more fun than I expected.

Directed by Patricia Riggen, G20 is a story where terrorists take over the G20 summit (a gathering of world leaders to discuss economic, financial and other pressing world issues), leaving it up to Davis’s President Sutton of the United States to save the day.

Yes, some very recognisable and sometimes unintentionally amusing action movie tropes are at play here, but that does not detract too much from the elements that work well. For example, the pace, well-structured story, good performances by Davis, Ramone, plus Starr, and some satisfying action sequences.

Watch G20 if you’re curious because it’s entertaining and certainly not too emotionally taxing.  

Happy Film Loving, 

G

NIGHTBITCH (2024): The Thing I…

Nightbitch (2024), Amy Adams, Searchlight Pictures
Nightbitch (2024), Amy Adams, Searchlight Pictures

I wanted the best for Nightbitch, Amy Adams, Scoot McNairy and Zoë Chao’s latest comedy/drama/horror film about a full-time mother whose daily life takes an unexpectedly surreal turn. 

I hoped director Marielle Heller’s film would be the good kind of quirky I didn’t know I needed. You know, the engaging and memorable – but in the best way type of movie.

The bad news is I found Nightbitch boring. I started watching it, then fell asleep for an hour. Upon waking, I wondered if I should quit altogether. I decided to wait another fifteen minutes before properly aborting the mission to complete. 

I’m sure Nightbitch has something worthwhile to say about motherhood. It just didn’t say it well enough for my tastes, since I couldn’t continue watching past the thirty-minute mark.

If you made it to the end of Nighbitch, I’m curious to know if you think I’m missing out.

Happy Film Loving,

G

ADOLESCENCE (2025): The Things I Liked…

Adolescence (2025), Owen Cooper, Netflix
Adolescence (2025), Owen Cooper, Netflix

It was clear post-trailer viewing that Adolescence, the latest crime/drama from Ashley Walters and Stephen Graham, would be very moving. I did not realise just how powerful and affecting it would be. 

Written, structured and filmed smartly and engagingly, the four-episode story centres on a 13-year-old teenager accused of murdering his schoolmate and some of the key individuals impacted by his alleged actions. 

As you can imagine – thanks to the talented performers, I cried, especially at the end. My hand may have even reached out at the screen at the very end, for reasons that will be clear once you watch the series.

If it was not already widely known that parenting is never easy, this story is quite a reminder. Adolescence, the phase in development, is also challenging for several reasons, particularly in modern times.

This one is emotional but interesting and worthy. So, if you’re curious enough, watch Adolescence. It’s very British and arguably ‘too real’, which is a high compliment for the filmmakers involved.

Adolescence is co-written by Stephen Graham and Jack Thorne, while Philip Barantini directs.

Happy Film Loving,

G

POINT BREAK (1991): The Things I Liked…

Point Break (1991), Keanu Reeves, Patrick Swayze, 20th Century Fox
Point Break (1991), Keanu Reeves, Patrick Swayze, 20th Century Fox

My Keanu Reeves appreciation period continues with director Kathryn Bigelow’s Point Break, a good action/adventure/thriller about a Rookie F.B.I. agent who goes undercover to catch suspected bank-robbing surfers. 

As a fan of both Keanu Reeves and Patrick Swayze, their dynamic in this movie, coupled with all the ways the story is engaging and good in surprising ways, add up to why Bigelow’s film is memorable.

I suspect that even now – thirty-four years since it was released, Point Break still has one of the most memorable endings of any movie. How very wise of me to have watched this version instead of the unfortunate 2015 remake

If you’ve never seen Point Break and you’re curious, enjoy this early and notable Bigelow film, long before she delighted movie fans with The Hurt Locker (2008) and Zero Dark Thirty (2012).

Happy Film Loving, 

G