Tag Archives: Coralie Fargeat

THE SUBSTANCE (2024): The Things I Liked…

I  wasn’t sure I’d end up watching The Substance, Demi Moore, Margaret Qualley and Dennis Quaid’s Coralie Fargeat-directed drama/comedy/body horror hit, especially because of the words ‘body horror.’

It was the cast, memorable trailer, colours and social commentary about a fading celebrity’s tribulations that eventually lured me in. I had no expectations of actually making it through to the end, but I did. To my surprise, the words ‘I love it’ left my lips while the movie played. 

The hard-to-forget final scenes slightly aside, Fargeat’s film may just be too clever, funny and beautiful to induce nightmares because I slept peacefully post-viewing.

The production design, colours, the edit, performances, sound design and the story are my favourite things. The Substance has a clear and vital message delivered smartly and very creatively.

The reflections that Fargeat’s beautiful movie inspired within me are: 

Do your best to prepare for the upcoming phases of your life. Truly love yourself, count your blessings, and society’s impending rejection should surely matter less. And you won’t be so inclined to take some ill-calculated risks.

If you’ve seen it already, I’m curious about what The Substance had you thinking. For everyone else, if the words ‘body horror’ also generally give you pause, I still say try to watch this movie. You, too, may be surprised by your response. 

Happy Film Loving, 

G

REVENGE (2018): The Things I Liked…

Revenge (2018), Matilda Anna Ingrid Lutz
Revenge (2018), Matilda Anna Ingrid Lutz

Revenge, an action/thriller written/directed by Coralie Fargeat and starring Matilda Anna Ingrid Lutz, is the story of a mistress’s highly justified journey of vengeance. One she takes on after her lover and his friends do their worst.

Featuring just four characters and set in a desert somewhere, Jen the mistress is supposed to be a kind of semi-superhero.  My first issue with Revenge is that the movie didn’t declare itself as ‘not quite realistic’ early or clearly enough. Especially considering how frighteningly real the beginning of the film is. This omission left me questioning and doubting the validity of things that were happening later, instead of surrendering to the ‘semi-real’ place the story occupies.

The next unexpected challenge with Revenge came with the moments that were meant to be played for laughs. As funny as those scenes may have been, one could say that I became too focused on justice and the villains’ comeuppance to concern myself with amusement.

As for what I did enjoy about Fargeat’s film,  that would be the suspense, visual style and the story of a badass female fighting for herself against the odds. I also appreciated the good, realistic-looking movie blood, of which there’s plenty. It’s unsurprising, then, that the two most unforgettable scenes both feature a lot of the red stuff. The main one is a tension-filled corridor chase sequence towards the end. Another scene involves an impaling. I’d like to add that I don’t ‘have a thing’ for blood. I just like it to look realistic, especially where hue and consistency are concerned.

I may have enjoyed Revenge more if it hadn’t included the superhero/fantasy elements. What a different and confusion-free experience that might have been. (*sigh).

See it if you’re curious, but maybe don’t expect too much.

Happy Film Loving,

G