Rear Window (1954), Grace Kelly, Paramount Pictures

REAR WINDOW (1954): The Things I Liked…

Inspired by the trailer for the new Alfred Hitchcock documentary, My Name Is Alfred Hitchcock (2022), I’ve decided to watch as many of Hitchcock’s best-rated films as possible. 

Having only seen two/three, years earlier, I decided to start with Rear Window, the one I remember most fondly. 

Starring James Stewart, Grace Kelly, Wendell Corey and Thelma Ritter; Stewart plays a bored photographer with a broken leg; one who passes his time by watching his neighbours through his back window. 

What I remembered immediately about Rear Window before watching it this second time was Stewart’s character’s broken leg and poor Miss Lonely Hearts.

Rear Window (1954), James Stewart, Paramount Pictures
Rear Window (1954), James Stewart, Paramount Pictures

Like much of Hitchcock’s best work, Rear Window is a film with all the elements that make a movie watchable. The dialogue and story are engaging. The characters are charismatic. The lighting, sound, and set design are notable. Still, even with all this, I did find myself reaching for my phone during moments that could have commanded my attention more.

The things that stand out most post-second viewing include how breathtaking Grace Kelly was; followed by the masterful suspense, thanks to the sound/set design, lighting, etc. Especially in the final confrontation scene

Rear Window (1954), James Stewart, Grace Kelly, Paramount Pictures
Rear Window (1954), James Stewart, Grace Kelly, Paramount Pictures

Where complaints about Rear Window go, I have two relatively small issues. The first is the fact that I had to reach for my phone at all. The second is the moment or two when Stewart’s character couldn’t hear that he sounded crazy and unreasonable, which, subsequently, made me annoyed with him and the dialogue. In my mind, at that moment, he should have heard that he sounded ridiculous and needed more evidence. Then I remember that in moments of high stress, few people see clearly – and often, critical thinking flies right out the window. As such, I may have forgiven him. Possibly. In which case, I only have one complaint?

If you too are inspired to have your Hitchcock Era, even considering my small-ish complaints, I suspect you won’t regret including Rear Window on your watch list. I say, go forth and enjoy the work of the one who helped inspire your current favourite directors. 

Happy Film Loving, 

G

14 thoughts on “REAR WINDOW (1954): The Things I Liked…”

  1. This is the perfect movie to start knowing Hitchcock. It’s an incredible movie with a magnificent set that is able even to tell you the stories of a lot of characters only by looking at them and it has some really smart ideas. Rear Window is perfect and I’m glad you talked about it.

  2. In light of the new doc and this review, I’ll be watching some Hitchcock this Fall for sure. Rear Window is a crowd favorite – the perfect movie to start with🧳🔭🪟

  3. Rear Window is a filmmaking masterpiece. I’m still impressed with how Hitchcock managed to direct so many people from a distance. And you can’t go wrong with James Stewart and Grace Kelly. It did hold my attention all the way through, but I’ll admit I do need to rewatch Vertigo because that’s one of his better movies that I had trouble following.

    1. You’ve reminded me that it’s likely the fact this wasn’t my first viewing of Rear Window, which may be why my attention veered elsewhere at a couple of points. I recall having Zero complaints after the first viewing.
      I’m excited about Vertigo because several people have considered it their favourite. I can’t wait for all that mystery! 😁

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