Trust, the new drama starring Matthew Daddario, Victoria Justice, Lucien Laviscount and Katherine McNamara has some notable high and low points.

The standout highlight in a story about a New York gallery owner and her husband, as they each face exceptional temptations is the beautifully lit shots of Paris, and particularly, New York City. So colourful and vibrant are said images, that for a moment, I suspected the makers of Trust had brokered a deal with the New York City Tourism Board. 

Additionally, Justice’s attire and the gorgeously lit Royal Bangladesh Indian Restaurant, the very one featured prominently in the film’s trailer are two other high points. I can only selfishly hope that the latter managed to survive the pandemic so I can visit in the near future.

The acting in Trust isn’t terrible. But, I did find the dialogue cringe-worthy in parts. A truth that made me realise that Trust is not at all as sophisticated as the movie it initially reminded me of, namely, Last Night (2010). 

Other low points include the less convincing moments in Laviscount’s Dublin accent and the editing. Especially the decision to reveal an important piece of the puzzle at the very start; a puzzling choice that seemed unnecessary, at best. 

Overall, director Brian DeCubellis’s film is one you watch if you’re curious about the highlights. And or, you’re a fan of the cast. Otherwise, I recommend Last Night (2010) instead; for an arguably smarter and more sophisticated execution of a similar story.

Happy Film Loving,

G