I’m Not Here is the story of a man struggling with the tragic memories of his past, in order to make sense of his present. He soon realises that time isn’t quite the enemy he thought it to be.
Directed and co-written by Michelle Schumacher, I’m Not Here stars J.K. Simmons, Mandy Moore, Sebastian Stan, Maika Monroe, Max Greenfield…
Looks like I’m going to be moved, probably to tears watching this one. Still I remain curious about the story but also I want to see how the chemistry is between the actors involved. especially since I don’t think I could have imagined them together all in one film.
Additional cast includes Iain Armitage, Harold Perrineau, Jeremy Maguire and David Wexler.
In new comedy Father Figures, Owen Wilson and Ed Helms play fraternal twin brothers who just found out that their father is in fact very much alive, contrary to what their mother (Glenn Close) had told them their whole life. Directed by Lawrence Sher, the brothers set off on a road trip to find their dad…
I think there’s some hope that this will be a movie I can watch and enjoy. I certainly hope so; since the concept isn’t particularly ridiculous.
J.K. Simmons, Kat Williams, Christopher Walken and Ving Rhames also star.
What I liked most about All Nighter is Xosha Roquemore’s version of a drunk party girl. Director Gavin Wiesen’s, story about a workaholic father (J.K. Simmons) who teams up with his daughter’s awkward ex-boyfriend (Emile Hirsch) to find her is not as fun and entertaining as the films trailer led me to believe.
One of my early thoughts as I watched was ‘This is going nowhere fast.’ A thought soon followed by, ‘All the acting isn’t bad but this film is boring’. Reason being, All Nighter just plods along in a manner that had me failing to care about the whereabouts of the missing daughter (Analeigh Tipton). What made the experience even more underwhelming overall is the easy and relatively obvious explanation for the daughter’s whereabouts.
In conclusion, if you were thinking that All Nighter might be a boys adventure with a splash of the The Hangover (2009) vibe; it’s barely that. More than anything, the film is really about a workaholic father’s friendship with his daughter’s ex-boyfriend. If there’s nothing better on and you’re in the mood for an awkward comedy with very few good laughs, then sure, watch it. Otherwise step away, friend.
Starring Emma Stone, Ryan Gosling, John Legend and J.K. Simmons, La La Landis the love story of a jazz pianist and an aspiring Hollywood actress. It is a well told story that features great dramatic performances, good dialogue, beautiful cinematography, music and costume; I particularly love ‘that yellow dress’.
Written and directed by Damien Chazelle of Whiplash (2014),La La Land is is a good movie that’s understandably most loved by fans of musicals. I must confess that generally speaking, I’m not into musicals. Call it a consequence of my impatient nature but most of the time, I’d much rather words were spoken rather than sang. The pleasing rhythm of well written dialogue will always be preferred by me, over the sounds of what is arguably often mediocre singing where musicals are concerned. And if the singing isn’t mediocre, I find the voices to be regularly, quite tedious.
In La La Land, there’s just no faulting the dramatic performances. The cast are a trust worthy bunch acting-wise. As for when it came to Gosling and Stone flexing their vocal chords in the name of song, there are definitely some moments of questionable vocal ability.
I enjoyed the opening song at the start of La La Land, the big ‘audition number’ that Stone sings towards the end and the instrumental as the closing credits began. The rest of the music I honestly could have done without.
Watch La La Land for all the reasons it won all those Oscars and because it genuinely isn’t a bad film. If Chazelle’s Whiplash managed to convince you that jazz isn’t all bad, La La Land is additional material to strengthen his argument.
All Nighter is a new comedy starring J.K. Simmons, Emile Hirsch and Analeigh Tipton.
Directed by Gavin Wiesen, at the centre of the story is a workaholic father who teams up with his daughter’s awkward ex-boyfriend to try and find her…
Generally, I enjoy Simmons in comedy roles. Though this trailer only has me a little intrigued, My fingers are crossed in hopes that I’ll find Simmons as funny as I did in I Love You, Man (2009), if not more so, of course.
Directed by Lorene Scafaria, Susan Sarandon stars as The Meddler, Marnie. An ageing widow who moves to LA where her grown up daughter (Rose Byrne) lives – in order to start a new life. Soon enough the meddling begins and I find myself feeling bad for her daughter, the one at the receiving end of the madness.
The meddling is certainly annoying but it’s not the reason for my overall negative opinion of this movie. I’m not a fan of The Meddler because I don’t think it’s particularly well executed. Though a comedy/ drama / romance, I don’t recall laughing more than once (if at all). There are a couple of potentially heartwarming mother / daughter moments and I did find myself empathising with Marnie as a woman seeking new purpose in her life after loss. But none of that proved enough save the entire movie. I also can’t say that Sarandon’s seemingly ‘ropey’ NYC accent helped matters.
There’s a reason why the trailer for The Meddler is nowhere to be found on this blog. My instincts told me that ‘promising’ is not how it looked. Having now watched the movie, I’m reminded to trust my instincts more.
If you happen to love this movie, please feel free to tell me I’m crazy in the comments. Who knows, maybe I missed something. Unlikely is my guess.
Starring J.K. Simmons, Jonny Simmons, Brittany Snow, and Paul Wesley, The Late Bloomeris unfortunately not as good a movie as the trailer suggested. A notable issue is the slow pace of the film and the general mediocre execution of what may have been a great comedy about what happens when puberty comes to man at age 30.
Not only did it take too long to get to potentially the most entertaining part of the film – when puberty finally hits, but the amount of time it took to get their proved not nearly worth it because the characters being introduced in the first 30 minutes or so are barely interesting and not particularly convincing. When we do finally get to the puberty segment, the laughs are few.
As for what I like about The Late Bloomer, I enjoyed Johnny Simmons’s character’s notes to himself about ‘chapter title’ ideas for his new book. I liked the dad character played by J.K. Simmons. His lines were the most amusing and the father / son conversation towards the end is just beautiful.
Overall, is a movie you should probably only watch only if you absolutely must. I was hoping for something such as the likes of The 40 year Old Virgin (2005). Me and my expectations…
Look up I Love You, Man (2009), a well executed comedy where J.K. Simmons plays another good and funny dad. There’s of course, plenty more to the film than that and it’s all good.